In this painting by Giorgio de Chirico, ancient and modern collide to create an atmosphere outside of logical rationality and beyond normal coordinates of time and place. A statue inhabits a deserted Italian city square. It represents the sleeping Ariadne, the Cretan princess who according to Greek legend was abandoned by her lover Theseus after aiding his escape from the labyrinth of her monstrous half-brother the Minotaur. For de Chirico, Ariadne was a symbol of haunting loneliness and beauty. The style of the picture is clear and sharp, but a forced perspective plays tricks on our perception of the urban piazza. The sandy foreground with Ariadne is a realm of immobility and quiet, while the area beyond the low brick wall suggests activity and movement: a train chugs along, a cloud of smoke billowing in its wake.